Shakespeare’s Use of Ovid's Metamorphoses and Virgil's Aeneid as Basis for The Tempest

Shakespeare used Ovid's transformation and Vajir's Ene as the grounds of the storm and William Shakespeare, like most writers at the time, laid the foundation of a story he wrote from other texts. He will write his own work using source poetry and myths. For example, Romeo and Juliet can compare with the pyramid and Thisby's tragedy. Dr. Richard III and Dr. Julius Caesar are the art records of historical events. However, Arashi is often seen as an original story.

Comparison of Ainel and deformation Both Virgil and Ovid embed their potential implications in their epic "Aneid" and "Transformation". In this article we will focus on the basic meaning of the triad scene of The Aeneid of Vergil (lines 356 - 1199). Also, we will pay attention to the three scenes of Ovid's metamorphosis. Both epics contain more information about the past importance of Roman to the present and the future of Augustus. The story of Aeneas of "Underworld" can be interpreted as a wonderful interpretation of Roman past, present, and future stories. When Aeneas got off to the underground world, he was escorted to Sibyl (line 347 -

Ovid is best known for Metamorphoses. By creating a transformation in Okimid's epic, Okimid's epic, Ovid invited him to compare with his oldest Roman poet Virgil who deliberately wrote Eneid's Epic. Regarding morphology, rhythm and size, the transformation record is entirely in the epic category. However, with regard to content, metamorphosis has little in common with epics like Aeneid, Aeneid is characterized by a single story and a hero. Indeed, Ovid clearly expresses the magnificent type of pleasure. "Makeover" is similar to the work by Hesiod and Alexandrin poets, and I agree with a series of independent stories on the theme theme. There are 250 stories in metamorphosis, they are related only to the common theme of transformation.

Like his theme, Ovid uses narrative techniques from stories to stories. Unlike Virgil's strict and orderly Aeneid, Deformation Record starts with the devastating result of the man's desire and shoots everything. Because they are in Virgil, these gods do not have dignity. These gods and gods are whimsical: they may look at the young fairies and the Niad, they may fall in love, or at least decline to desire. Either way, they are needed to satisfy their desires and they claim after a young lady (usually a virgin) - they often change her forever until they have the purpose of their desires