Sexual Difference and Looking Through the Eyes of Mulvey, Penley, and Hitchcock

Mulvey presented some interesting ideas on how psychoanalysis influences sexual perspective, but her sentences compare to Constance Penley's article "Feminism, Film Theory, Bachelor's Degree" (1985) It is limited to one dimension. ). Penry first focused on the concept of "single man machine". This is a custom used between 1850 and 1925, "Many artists, writers, scientists have built personified machines in imagination or reality to represent the body. Social relationship, two Relationship between man and woman, structure of mind, or management of history. "This is eternal, self-sufficient

When I saw the movie of Alfred Hitchcock, I saw the world through his desireable eyes, as Laura Malvey proved in her article about men's gaze. so. When seeing a movie made with black leather, or another cool movie, Wachowski movie, Hugo Weaving covers a mask and talks a lot of things - you can see the world in the eyes of the trance people.

Laura Malvey is known for feminist criticism of his films and movies, and Alfred Hitchcock is known for making movies that pave the way for feminist movie theory. The movie that Hitchcock directed to attract the attention of feminist theorists would be rear windows and dizziness, and that will be discussed further. In Mulvey's article "Visual Joy and Narratives in the Movie", she believes that Hitchcock's film portrays a classic Hollywood movie woman as a passive target of male voyeurism and sadism.

As critic Laura Malvey argued, "In some cases, it seems that it is itself a source of happiness", Hitchcock's movie discusses "fun" discussed . Observing behavior is important. Jeff's "fun" from the appearance can solve his boredom, but for Norman Bates, the pleasure he gains from his appearance is sex. Marvi kept discussing the view that Freud's "others are the theme" and "a gaze putting them under control and curiosity". Norman's objections to the woman he met directly led to his charm to their body and the result of his solitude and loneliness. As Norman passed through the peephole, there was a break between him and the character of Marion he was watching. She is far away, not touching anyone, but the idea is driven by physical obstacles, walls and further roles between the two characters.