Sensationalism - Sensation Novels of the Nineteenth Century

Perceptualism - The sensory novel "Feeling Novels" of the 19th century began to appear from the mid-1800s to the latter half. The term W. M. Thackeray originally used in his Cornhill magazine refers to "a specific literary or dramatic phenomenon". The court scene, corpse, secret, adultery, crazy, prostitution are the main elements of the novel conspiracy and can provide many unexpected twists and turns. The goal of the author is to make the reader feel basic emotions, ie shock, doubt, fear, suspense, sexual arousal, and fear.

Nicholas Daley's discussion of Nicholas Daley's literary conspiracy in the nineteenth-century story form and the powerful institutional structure associated with other modernities stated that "novels threaten to relate readers to their mechanisms" It was. With Sri Lanka's method, we can conclude that something different happened at the turn of the 20th century. The literary form (short stories) is well suited to the temporal nature of leapes - not to mention "mechanisms" The relevant variables are focused on "human mind and body correction"

A Victorian novel of the 19th century. The author shows us realistic pictures of the 19th century compared to the 20th century. In the novel, Falls uses postmodern techniques and strategies to imitate historical novels. As Mr. Bradbury said, "Female lieutenant in France" is a formal imitation of a Victorian novel, and to evaluate historical and psychological differences between such stories and modern readers It is an elegant effort. And world consciousness

Historically, our ultimate attraction flourished during political unrest and rapid technical change. Stanford University historian Richard White said, "At the end of the nineteenth century, there were all kinds of utopian novels, each of which was combined with a noisty novelist." Edward Bellamy's "Reflection" published in 1888 depicted the socialist paradise of 2000 and it became a sense that stimulated the "Belami Club" nationwide. On the contrary, Jack London issued an "iron horse" in 1908, imagining a fascist-laden American who had "one tenth of a tenth" accounting for 70% of all wealth .