Securing a Place of Power: Reinventing the Role of Women in Theatrical Representation

Securing the status of power: Rebuilding the role of women in the acting of the play Among the feminist audience as critics, Gill Doran is the current hegemony as a drama "Caucasian, heterosexual, middle-class man" We will verify (121) the subject. She tried to fail why the feminist reveals this prejudice and attempts to use it to change the objectivity of the women's role and how she can prevent such failure . In the dominant illusion tradition of the American drama, the audience's individuality is contained in a single group of viewers.

The representative concept is dramatic: the east is the restricted stage of the whole East. Numbers will appear at this stage, and their role is to represent a bigger whole than they emit. The east seems to be more than mere infinite expansion beyond the familiar European world, but closed theaters, a stage set in Europe fixed in the theater. (Daniel, 259-260, Saeed, 63-65) However, the fact that the symbolic system of pagan paganism is the opposite of the Christian system complicates the problem and gives rise to new questions. In the Middle Ages, Peter Haidu insisted that "strictly speaking, human change is only a negative sign of itself" (Haidu, 37). By accepting Haidu's theory that "others are negative own versions of myself", Roland heathen finds that there are more crimes to explain. They are infidels. From the story of the song, the heathen believes in manga of true faith.

Commedia dell'Arte is famous all over the world. Born in the 16th century, it is a dramatic performance developed in the 17th and 18th centuries. It is based on humor, improvisation and mask. This is a showcase of a travel show from a travel agency from one city to another. The preferred place to see this new type of theater performance is the temporary stage of the street of the city. The most notable element of Commedia dell'Arte is that there are no pre-established scripts, ie actors based on the performance of canovacci (vague and basic sentences). Another important element of Italian comedy is the constant emergence of the mask. Each actor must personalize the character and distinguish each character from other characters through body movements, gimmicks and jumps.

Dramatic, whether disguised or a dramatic self expression, comes from the common conditions of almost all Renaissance courts. A group of men and women alienates their customary role, constantly seeking recognition and attention and seeking attitudes. Excessive emphasis The popular trial handbook of the 16th century is basically an actor handbook, a practical guide to society almost always on the theater. (162)