Sandro Botticelli's Painting, The Birth of Venus

Birth of Sandro Botticelli, Venus Sandro Botticelli (1444-1510) is a Florentine painter. Most of the life of Botticelli is spent in Florence. His painting style is based on mythical ideals and religious themes. Botticelli is drawn in a very unique style with an elegant sense of performance, melancholy and a strong line; details look like luxurious still life. His work such as the birth of Venus had a great impact on humanitarian art movement.

Italian Renaissance began during the paintings of "Birth of Venus" by Sandro Botticelli; Italians are very interested in the myths of classical Greek and Roman and their works of art. The story of Venus can be traced back to thousands of Greek myths about God of heaven, Uranus and the goddess of the earth, Gaia. Uranus is a self-centered self-sufficiency male god who treated 12 titans with Gaia. He hates his children, and he is afraid that one of them will beat him. He put 12 Titans in the underground world of Gaea and did not allow them to come out. Gaia is very painful and painful for the twelve Titans that she held in her womb. She is angry with Uranus for his dishonorable treatment of her, especially her children. So with the help of her youngest child, Cronos, she thought of a plan to get rid of Uranus. Gaia created a great steel file and handed it to Cronos, then tempted her husband Uranus.

The birth of Venus (Italian: Nascita di Venere) is a painting by Italian artist Sandro Botticelli, probably made in the mid 1480's. It depicts the goddess Venus that arrived on the shore after she was born when she appeared from the sea (it is known as Venus Anadyomene and is often drawn in art). This picture is in the Uffizi gallery in Florence, Italy. Although the two pictures are not paired, this picture inevitably is argued with another very big myth picture of Botticelli "Primavera" (also in Uffizzi). They are one of the most famous paintings in the world, a symbol of the Italian Renaissance, among which the birth is better known than Primavera. The themes are drawn on a large scale from classical myths Since the classic era, Western art has hardly seen so far, and the size and noticeability of the female statue of nude at birth is also the same.