Samuel Beckett's Waiting for Godot as an Existentialist Play

They are waiting for Mr. Godot, waiting for Godo to act as an existentialist waiting for the two guys, God's game around Estragun and Vladimir, they do not know about it. Estragun admits that he may never recognize Mr. Godot, "I would not know him if I had met him" (p. 23). Estragun also said, "... he does not know much" (p. 23). Explaining Mr. Godot's identity to the audience is pointless. This is because it can not be judged in the whole script. Mr. information is very small.

"Doing nothing" is one of the phrases Samuel Beckett waits for God to repeat. Godot is a drama with presence, like a language poem. In other words, Beckett is not interested in explaining his words to the reader, but just listening to the words, I am interested in observing the behavior of the character he does not match at all. Beckett uses a standard Vaudevillian style to present a game that tastes human condition. He repeats the phrases, thoughts, actions brought by his audience, and they are concerned about who we are and in our despair, how much is our human being's presence great I made different ideas. Waiting for a joint structure is determined by the use of iteration of Beckett. This was proved by the progress of two acts of God's dialogue and action.

Samuel Beckett's alienation awaits Godot's humanity and truth. Purpose, alienation of God, and alienation of each other is the theme of Samuel Beckett's "Waiting for Gotto" theme. The periodicity of the play and sparse performance convey a desperate feeling, a sense that God is not there and therefore is not a target. The reasons for lack of communication and the alienation of humans are often manifested through absurd vocabulary, images, structures, and ideas. The purpose of playing is to make imperfection and frustration feel.