ROMAN COPIES OF GREEK ORIGINALS

The construction of "Romaji" in the history of art has a deep root and a wide origin. This prejudice relates to modern archeology and early Roman sculptures of art history, but the observations observed in the current situation reveal problems in its development, historical understanding and contribution to education. This structure is based on several key factors questioned recently by revisionist historians. First, conservative historians of the 18th century focused on the background of art's creativity and credibility, focused on the development of architecture, making it a popular and revolving model of respect did.

Throughout history, as long as creative works are considered valuable to the collection, it will produce art. The Romans copied Greek's original sculptures, and many copies were considered original at some point or elsewhere. Today these copies are very valuable in museums. Since the first coin was made by Lydia's King Gyges (who died in 648 BC), coins have been forged. Sometimes molds are made from replicas made of original and castings. At other times, the original type was used to combat the fraudulent problem. The various Byzantine emperors used their base alloy to make their coins worthwhile. Art, patron and coin collector Jean de France, Duc De Berry filled with contemporary copies of old coins of the Netherlands and France to fill the gap in his collection. Italian artists Giovanni Cavino and Pirro Ligorio are the main counterfeiting coins of the 16th century.

Greek art is thought to be superior to the "only" imitation or decorative Roman art; indeed, we believe that many Greek artworks are actually in the original Greek Roman version I believe there is. While the goal of a Roman artist is usually to create a realistic portrait for decoration, the goal of a classic Greek sculptor is to create an ideal art form It is often pointed out. This is obviously too simple. Not all Roman art mimics Greek shapes and not all Greek art seems to be very realistic or impractical. As Roman art decorates living space, many Greek art decorate practical things. In addition to the extreme value of the classical era, Greek art is divided into Mycenae, Geometry, Ancient and Greek. In Hellenistic era, it was also necessary to copy early art, so it can also be described as imitation