Roland Barthes’ Camera Lucida

This book is a note from Rolandba 's close - up to record his dialectical images, shapes, types, and types. Roland Burt was a French literary theorist, a philosopher, a linguist in his life, but surprisingly he was not a photographer. Since Barth believes that art works contain symbols and structures, I studied semiotics and structuralism. Through Camel 'sida, however, he recognized the limitations of structuralism and the use of semiotics and structuralism to analyze the impression of the photographs.

"Absence, admiration, melancholy ...... I say that this is the mother tongue of the photograph.The photographs of Roland Bart's Camera Lucida and Susan Sontag are important texts of photography theory.These works are both acts The idea as a thing induces and interprets marriage between memory and desire Pictures are rooted in nostalgia - this can be explained as a state of desire for melancholy Memory of the moment or memories of the future For the joy of memory, or to sigh, for the sake of. "

Bernard Stiegler discusses this fundamental change with his own paper "The Discrete Image", Stiegler borrowed from Camera Lucida of Roland Barthes, through simulation (ie photochemical) photographs, viewers have some degree of image fidelity I believe I am confident. Past events, what Stögler calls "discrete images" or "analog digital images" are completely ignored in the digital field. As Stigler explained: Digital photos suspended some of the voluntary beliefs of the simulated photographs themselves. When I saw a digital picture, I could not be sure of what I saw - it was also a matter of photography, so it never existed. Analog digital images doubt the objectivity of lenses in so-called analog photographs of Andre Bazin, and Bart calls it a prospect of photography.