Rodgers and Hammerstein

Rogers and Hammerstein are cooperating with Oklahoma. The first collaboration between Rogers and Hammerstein was entitled Oklahoma. The concept of the musical was born from the work "Green Growing Lilac Flowers" written by Lynn Riggs in 1931. This story is about the turning point of the century of Oklahoma where Indian territory joined the United States. This is a girl named Raleigh Williams and her (somewhat) Valentine's Day story, there are two boys, Kaly · McLaein and Calf · McClein. (Jud Fry) Laurey fell in love with Curley, but she and Jud joined the dance.

Purdum was one of the first figures who wrote the comprehensive collective biography of Rogers and Hammerstein and offered a grand narration of their collaboration. But before they started working together, they also carried out their art work, their independent projects and the life of Rogers after the death of Hammerstein. He also provided detailed information on their wives (all called Dorothy), their mistresses and their children. In addition to large-scale archive research, "Something Wonderful" also includes interviews with actors, designers, directors, dancers, etc., and recommendations from fans and families through collaboration with Rodger and Hammerstein. In summary, all of these direct materials provide a more complicated and detailed version of the lives of the two people described in previous academic research.

Before they became Rogers and Hammerstein, only Richard Rogers and Oscar Hammerstein II of New York were. Hammerstein was born in 1895 and is a family member of the theater. His father is an "opera actor", also known as an opera director or manager. He built the Harlem Opera House (1888) and the Manhattan Opera House (1906) and introduced many new singers to America. Since very young, Hammerstein II has been working on a drama even though his family disappointed him. As long as he is of sufficient age to find a job in his father's drama industry, he will devote himself to his work and learn as much as possible about the production of the theater and the work of the theatrical artist. Oscar finally cooperated with writer Otto Habach and composer Vincent Womans to make wild flowers. With the help of Herbach, Hammerstein began making professional materials for Broadway. Hamterstein collaborates with Jerome Kern via Otto Harbach on Sunday