Robin Hood

Robin Hood, a series of legendary gangster star heroes of British folk songs, some of which dates back to at least the 14th century. Robin Hood is a rebel and most of the most striking events in his story show that he and his colleagues deprived and killed authoritative representatives and brought benefits to the poor. Their most common enemy is the Nottingham sheriff and he is a local representative of the central government (the inner evidence of the initial ballad clearly shows what this act took place mainly in South Yorkshire, not Nottinghamshire) Although it shows. Other enemies include wealthy church landlords. Robin treats women, poor people and humble people carefully. His great resilience to authority arises from extensive dissatisfaction with forest law limiting hunting rights. Early folk songs, in particular, revealed cruelty, it is an inevitable part of medieval life.

Legend mention by medieval writers clearly shows that ballads themselves are the only evidence of his existence, but many attempts have been made to prove the history of Robin Hood. A contemporary popular creed, he was the Richard era, probably derived from "bloodiness" made by antique William Stackley in the 18th century. There is no support for Robin Hood with certain historical figures, and the existence of the gang may not be legendary.

The real Robin Hood Ballard was a poetic expression of the aggressive era of people's rebellion and agriculture dissatisfaction in the Northern England, which eventually led to a farmer's uprising in 1381. Gangs who are free but persecuted enjoy the laws of banning hunting and the power to forcefully kill the law and order and are fascinating ordinary people.

Many of the most famous Robin Hood folk songs were from the Middle Ages, but there are cores that can be confidently attributed in the Middle Ages. These are Robin Hood and monks, Robin Hood and Gisborne, Robin Hood and Porter, and Robin Hod's Lytyll Geste. Since the 16th century, the basic features of the legend are distorted by the suggestion of Robin's depraved aristocracy, the playwright enthusiastically incorporates this new element, increasing the romantic charm of the story, but also social bite I robbed it. . Postmodern folk songs (which Mary Marianne, a member of Robin) also lost most of its vitality and poetic value due to their loss of vigorous social impulses.

In the 19th century, the legend of Robin Hood was specifically targeted at children. Wreaths for children are for children of Ritsin's Robin Hood series manufactured in 1820. Children's novels of Robin Hood began to appear. It is not that children have never read Robin Hood's story before, but they are the first in Robin Hood's literature to target them. Very influential examples of these children's novels are Pierce Egan, Rogin Hood of Younger and Little John (1840). It was adapted from France by Le Prince Devore (1872) and Robin Hood Le Procrit (1873) by Alexandre Dumas. Egan requested Robin Hood to be born, but raised by Forrester Gilbert Hood.

Many of the most famous Robin Hood folk songs were from the Middle Ages, but there are cores that can be confidently attributed in the Middle Ages. These are Robin Hood and monks, Robin Hood and Gisborne, Robin Hood and Porter, and Robin Hod's Lytyll Geste. Since the 16th century, the basic features of the legend are distorted by the suggestion of Robin's depraved aristocracy, the playwright enthusiastically incorporates this new element, increasing the romantic charm of the story, but also social bite I robbed it. . Postmodern folk songs (which Mary Marianne, a member of Robin) also lost most of its vitality and poetic value due to their loss of vigorous social impulses.