Robert Smithson & Richard Serra

What is "art"? Does this term refer to specific, empirical events, processes, techniques, media, or creative skills? This means attractive decoration, comfortable arrangements, and reasonable financial investment, or artistic provocation, unattractive, uncomfortable, and fleeting meaning. Today, art is subjective and interpretation is possible, including the scope of visual, literary, dance and music humanities. Therefore, art and its practice can be more than all of the above.

Robert Smithon and Lawrence Weiner's Richard Serra expressed this feeling in a variety of ways in all the works. The first one is a huge and rusty metal sculpture - you can just grab it by observing that image. The fragments of Sera are full of negative space, and the only way to understand it is to move and fill the gap. And when you do this, everything will change. Suddenly you are no longer a luxury gallery in Chelsea nor DIA Beacon. You are restricted to narrow walls, and the only way is to get through. This is a movement of faith: blindly believe that you will be able to get rid of it by advancing; get out alive and after some curves you are fine It will be. You have gone now - but you feel this experience, experience, you will never leave you

In 1979, I returned to Walter De Maria where I made a parallel choke line in Arizona. De Maria, Robert Smithon, Richard Serra's work, and their status in American art are the most important to me. Here I throw handsize stones as far as possible, tidy up all the stones within that radius, pile up my mountains standing there, and throw them away. From the photograph, you can see that it has a big influence on the topography. You can see the position of the stake in the middle of this picture. There is an absent body there. All these gems radiate outside as much as I can throw. This is alive and happy, I feel the behavior of the body against other bodies, and this behavior has changed in space. What kind of space can be conveyed to spirit, body, and imagination?