Robert Louis Stevenson's Dr. Jekyll and Mary Shelley's Frankenstein

Dr. Jekyll Robert Louis Stevenson and Dr. Jekyllstein Robert Louis Stevenson of Mary Sherry and Mr. Jekyll and Mr. Hyde and Mary Sherry Frankenstein speak the story of scientific creativity abuse. These stories exist in other areas that are not directly attributable to their behavior. The creation of Frankenstein is a different "biological" than his creator, and Dr. Jekyll turns into Mr. Hyde, but the "double" of each hero gradually becomes more violent in his story .

Frankenstein: Strange case of Dr. Prometheus of Mary Sherry and Dr. Jekyll, and Mr. Hyde of Robert Louis Stephenson show Freud's idea of ​​identity, self, superego and nature. Desire Frankenstein: Modern Prometheus shows the stage of Freud's sex psychology. Through these thoughts, these two novels should be regarded as Freud. The works of Jekyll and Hyde symbolically describe good and evil equally present in their souls. Freud's psychoanalysis was taken one step after twenty years, but resembles some of his theories.

I mention the strange story of Mary Shelley's Frankenstein (published in 1818, revised in 1834), Dr. Jekyll and Hyde's Robert Louis Stevenson (1887), and of course Dracula. Love rum stock (1897). When briefly explaining these three pieces, I regard the doctor as a monster manufacturer, a doctor as a monster, a doctor as a hunter and a monster murderer. At the turn of the 19th century, Victor Frankenstein was portrayed as an excellent young scholar at Ingolstadt University. He specializes in chemistry for two years and continues to study anatomy and physiology. He examines the process of death, finds the secret of life itself, and makes people from the collected body parts. The selected part is perfect, but the whole is difficult to see, and the creator gave up on her fear and disgust.