Review of Rachmaninov

Rachmaninov - Suite Suite 5 & Op. Amplifier. Symphonic Dance Op. 45 TELDEC Classics International (catalog number 9031-74717-2) Martha Argerich (piano), Alexandre Rabinovitch (piano) Suite No. 1 "Fantaisie-tableaux" - Barcarolle, La nuit ... L'Amour, Les larmes, Paques. (Recording at the same time) Suite 2 - Introduction, Vals, Romance, Tarantella. Symphonic Dance - Non Allegro, Andante Common, Rent Acai. Sergei Rachmaninov was born in Russia on April 1, 1873. When I was a child, Rachmaninoff has a great talent for piano.

Rachmaninov claimed his ideal of music and composition throughout his life. His music style is a bit different, and the music of all composers of his life seems like this. Rachmaninoff's music ignores traditional forms and patterns, so it develops an unmistakable style. His style is amazing in that he re-uses themes repeatedly between music clips and music clips. This is the case of the Dies Irae theme that fascinated Rachmaninoff throughout his life. The endless use adds space and depth to his work, as he is a prisoner about this subject. In his criticism, John Calshow showed that the music of Rachmaninoff contained too many "fingerprints", so Rakhmaninoff was highly appreciated and strictly criticized for the same thing.

The Dies Irae theme has important musical significance in many Rachmaninoff works. Dies Irae is a medieval Latin plain, its name is converted to a day of anger, and its lyrics represent a terrible image of Judgment Day. Centuries ago, it was used as part of the Roman Catholic Requiem Mass, reminding people of the inevitability of death and the consequences of sin. One of the biggest agents of Rachmaninov is the island of Rachmaninoff's death. The other members of the orchestra have a special meaning of the theme and support every aspect of the theme; it is the threads the rest are hanging. Rhapsody, the theme of Rakhmaninoff's "Paganini", contrasts the "dead" theme with parts of life, putting it in the original variant, and finishing this part with nearly the last variant. Immortal theme of immortality

As most Rachmaninoff experts know, "First Symphony" failed at the premiere in 1897. Indeed, Rachmaninoff lost confidence in his ability before his second piano concerto in 1902. This was a disaster and this work did not appear outside of the play. The performance of Slatkin's symphonies still needs support and it seems that supporters are still needed to clarify the music. He gave tension and spiritual feeling to the music, pointed to a dark dark element, and was subtlely embroidered with works of angels who were often ecstatic, so he is still good at this underestimated piece I succeeded in providing an example. Especially in the first movement and the third movement, it is contrasted immediately. He also succeeded by receiving a prestigious performance from the Detroit Symphony Orchestra.