Review: From Bauhaus to Our House by Tom Wolfe

It is a very poorly and light criticism of Tom Wolf's (apparently) medieval architecture from Bauhaus to our house. A serious architect fired it. It is (obviously) criticism of lightweight social design. A serious design critic ignores it. I think this is very interesting and very focused. Wolfe is a surprisingly excellent author of a new news style. He even described it as part of architectural criticism. I think he is wrong. I think that it is a fable to go to our house from Bauhaus. Designers advertise themselves, their preference is higher than their customers, who will use and use their designs? In other words, what happens when a designer tries to fix a person. In this case, the modification means that Bauhaus goes beyond the bourgeoisie and raises people's hobbies.

Skepticism about modernism is not limited to the UK. In the United States, Tom Wolf wrote from Bauhaus to our house, from Bauhaus directly to the United States to explain the Prince of European silver, he wrote that he built houses that look like worker's house and pesticide factory. Reliable point He suggested that any attempt to actually sit on the Le Corbusier's reclining chair would adopt karate behind his neck. "In modernism attacks on inhumane behavior, and in the extreme case anything that can be filled with contemporary nicknames has concluded that modernism can not find beauty and that it is not worth it. I thought, "Wilk said. The mind still believes in the early moral mission of modernists. Therefore, the crime of a concrete tower where Le Corbusier's design is inadequate and construction is inadequate has little to do with his work.

Among all of Tom Wolf's diving, he promised to tidy up the chaos for all and all at once. Mr. Wolf's "From Bauhaus to our house" like 1975's "Words of Painting" is a theoretical structure surrounding artistic creation and a long article in a book trying to adopt rhetorical clouds is. In the early books, his argument was that the theory of American painting after the war became more important than the painting itself - indeed, this was the reason for painting, and the work Mr. Wolf found himself It is totally inaccessible, or at least unpleasant