Remembering 9/11 through the Lens of Hollywood: A Detailed Analysis

President George W. Bush signed the "Patriot Act" in 2001 to become a law against terrorist attacks on September 11, 2001. Since then, the loyalty of everyone against America has been tried, and people can not put Hollywood under the joint efforts of this country (Markert 58).

This research paper is basically content analysis paper by Two Kingdoms and Rendition. Since this paper focused on the period since 911, both movies were released in 2007 after 9/11 attacks. It consists of two parts: a literature review section where the author studied many articles and studies to explain how the Hollywood movies portrayed the Muslim community after 9/11 attacks. In addition, the authors investigate the history of Muslims and Arabs in Western media and Hollywood movies Particularly studying different articles and books to understand these descriptions and stereotype changes, especially after the 9/11 attack Did. The second part is an analysis of two movies to understand how Hollywood depicts Arabs and Muslims after September 11th.

How do Hollywood movies depict Muslims and Arabs since 9/11? "Analysis of the contents of the kingdom and the movie"

In this article I will explain the political motivation behind the stereotypical image of Hollywood Arabs before 9/11. Hollywood has always played a part in promoting and limiting US Empire projects, especially in the Middle East. This research shows that evolution of this expression is greatly influenced by political events such as the creation of Israel, the Islamic revolution of Iran, and the collapse of the Soviet Union. Hollywood shows the Arabs from a unique perspective and helps the United States see the Middle East through Hollywood as "Al -", thereby making it an acceptable field for American power movement.

In this article I draw the concept of Siegfried Krakauer's movie as a mirror of society and explore the influence of "terrorist era" on American movies since 2001. Hollywood is a major cultural institution dealing with September 11th and makes Americans struggle with 'real desert' (Qiqik). Visual content simplifies traumatic events such as terrorist attacks against viewers - often expressed in simple black and white words, providing moral instruction, unity and destiny. Response to Hollywood 's September 11 incident includes all these different aspects. It demands an "uninterrupted" spirit and seeks to reaffirm the symbolic coordinates of the general reality in America. As time went on, Hollywood joined the doubts and disagreements related to this process.