Regular Article Theories of Personality and Theories of Art: A Budding Consilience☆

In response to the 1960s art historian Gombrich and Panafsky's efforts, they learned a lot about the theory of art from the theory of human behavior, and the author attempted to cross the boundary between these disciplines . I will explore the inversion of this concept. In this work, reviewing the four main concepts of art trying to bridge the theory of art and personality by proposing that the content applicable to painting also applies to human beings, and presenting evidence supporting the "reaction theory" included. Recognition of art and human perception, and re-casting of "self" as the essence of emotion is common. According to the theoretical and methodological considerations of the personality multiple conceptualization proposed by the adaptation of the Brunswikian lens model, efforts have been made to examine the application of empirical features of personality research in historical non-positive studies of painting and sculpture There.

Thanks to the large specialized and popular literature of decades dedicated to multi-verse theory, this may be a response to this apparent consistency in part, "many worlds "And realistic" landscape "recovery lacks a special taste for humanity. For example, Hawking and Molotino state that fine tuning in the laws of nature can be explained by the existence of multiple universes. Many generations have condemned the beauty and complexity of nature to God's then nonscientific interpretation. But as Darwin and Wallace explained, as the morphological morphological design emerges without the highest intervention possible, the concept of multi-verse is not necessary to create the universe for our own interests I can explain the fine adjustment of the physical law. Merciful Creator

George Dickie is one of the most famous art philosophers of our time; he was admired by introducing his "arts system theory". His theory is published in an article titled "What is art?" Dickey's article combines many of the debates of philosophers and art critics with artistic works that controversy and defines art. The world of art is defined as an institution where infinite systems exist by Dickey. In this case, the institution Dickie refers to is practical, not corporate or social organization. These systems consist of theater, music, paintings and dance. Among these systems are subsystems or more specific categories in which art can be categorized. Thanks to its flexibility of definition, Dickie believes that the art world is basically full of everything. However, art must comply with certain regulations.