The first music of this concert - like the Great Wall, this music was introduced by the conductor. He said that the base sound is behind, the gray does not shine, and the treble is red and shining. The whole music means that someone draws a great wall and draws a picture. But after this brief introduction, I focused on comparing that bass and treble, and treble and bass. After listening, I know that the bass is strong and it shows a dimly painted picture.
MATÉ: First of all, I thank you for seeing this difference. I am not addicted to classical music; I am addicted to buying classical music. I like classical music; this is one of my passion. But if you like classical music, you can buy it and stay at home and listen to it. You do not have to go back to the store to get more and more. This is shopping that I gave me the dopamine hits I was looking for. Then when I did not do that, I wanted to get it. You can love classical music without being addicted to buying classical music. So this learning is really addictive - the process of hunting, chase, stimulation
I can not make music. I have never learned to play musical instruments, it is not troublesome. I do not know how to score. Music score is not easy for me to comprehend than foreign languages. So, I can recognize classical music as a spectator on the surface, but I also understand it for other people. Five years ago, when the professor introduced the music animation machine - Stephen Malinowski 's animated graphics score project - it all changed. When the professor played Bach's Toccata and Fuga with a minor, I looked with a foolish awe. This work is the same as usual, except that it is presented in the most intuitive way. You do not need to use annoying symbols and terminology to train Bach. The delicacy of pitch and rhythm is represented by the simplest colored bar chart. I can identify regular patterns and even forecast. I have heard notes that I have never heard before.
After participating in the music appreciation party of Plymouth University, I appreciated the gratitude for my Western classical music. I noticed that classical music must be evaluated both emotionally and at the level of the brain. Ibach's complex polyphony and fugue, deep symphony of Beethoven and Brahms, incomplete symphony of Schubert, and great C major, Tchaikovsky ballet, Shibe. Liusi, Bartok, Dvorak, Stravinsky, and many wonderful composers. But my first love is still Mozart. As Einstein said, Mozart's music does not seem to be made up of humans, but it always exists and is discovered only by genius. A small step dance of his 39 symphonies, slow motion of the Clarinet Concerto, his pleasant proposal to Figaro's marriage in particular became the love of my life. Every time I heard the offer, my hair was standing at the end of it. Music never eats