Reality in Wallace Stevens’ The Man with the Blue Guitar

In reality, Wallace Stevens' "Blue Guitar Man" by Wallace Stevens, reality is an abstract concept with multiple perspectives. As a poet, Stevens strives to create a realistic and original view. Wallace Stevens created a new contemporary reality in his poetry. In fact, Stevens reduced the reality of his poetry. Among the "necessary angels", Stevens called the creation of Simon · Weyl from creation without creation, or subtractive tampering from creation to none as counterfeit. Then Stevens defines the reality of modernity as "the reality that our revelation is not a revelation of faith, but a precious prediction of our own power, declining" (750).

The poetry of Wallace Stevens is an example of such an effort to understand and clarify the poet as a creator of things and meanings. In the third volume "Blue Guitar Man", Stephens used the image of Blue Guitar as a symbol of imagination and used it as an organ that made it. Poems of the title are developed around the idea of ​​imaginary creation in 33 tortured poems, attack and reexamine this creation mechanism. "You will not play things as they are." / The man says "things are like them / changed to a blue guitar" (135). With the blue guitar "(148). In his fourth book" The Parts of the World "you can even read the title of the book as a recommendation of the Stevens project" part of the world " In the collection of words, according to the title, part of reality claims to constitute a specific part of the world. / There is no life other than that "(257)

For Stevens, especially in this poem, imagination and reality are inseparable. The constant suppression of blue guitar is "original things". Stevens uses his own words to tell part of the poem ... "Because they are imaginary, this group deals with the constant connection between things, the blue guitar is imagined It is a symbol, but it is often used as a reference to the personality of the poet, meaning for the poet. "