Rape in Romanesque Art

The rape of the capital of Ganymede in Bezerey's Saint-Madeleine explains the story of rape or kidnapped Ganymede. In the front, the capital is characterized by an eagle holding a young shepherd ganymede. With a horrible expression Ganymede 's face was turned upside down powerlessly. On the left side, two adults are holding their heads and staring at the eagle with the boys. There is a devil on the right side and I see the audience sticking out my tongue and happiness as if they are laughing at us.

When seeing the Romanesque style and Gothic style art, the restoration of naturalism, the permanent contradiction between the paintings and sculptures of symbolic paintings and stories, the dichotomy of public art and private consumption art, the Germanicism We must look for oriental dichotomy Interlacing of the Mediterranean and artistic tradition and the revival of public sculpture is the first time in half a century. At the same time, they sent an envoy to hire artists from Constantinople, a mosaic and sidewalk art expert. They are aps, arches, and front yards decorating the main church; others use various stones to lay the whole church's trail. The completeness of the master adopted by Desiderius in these arts can be seen in their work. People believe that the characters in the mosaic are alive, and in the marble of the sidewalk, the flowers of each color bloom with various flowers.

Romanesque art depends on the region, but it is the art of Europe from the thirteenth century to the rise of Gothic style since the 13th century. This term invented by art historians of the 19th century, especially Romanesque architecture, holds many of the basic features of Roman architecture. The Roman style is the first to spread throughout the Catholic European style from Sicily to Scandinavia. Romanesque art is greatly affected by Byzantine art, especially in paintings and island art. From these elements, a very innovative and coherent style is formed. The art of this era has a very vivid style in both sculpture and painting. The latter essentially follows Byzantine's image model, the most common theme in the church. It is the scene of His Majesty of Christ, the final judgment and the lifetime of Christ.