R.K.Naran´s Talkative Man : A study in Architectonic Quality

"Talkative man" is too long for a short story, but it is too short for a novel. I prefer within a certain limit as a shorter format gives me the space I created; I can pass all the subjects and pass every novel within a reasonable time, at least 2 Annual (1983, 120 pages), the above comment shows that Narayan is focusing on the center of the theme of the novel. He will be a single subject writing a novel for at least two years.

Since 1989 Tetsuo: Ironman, Tetsuo II in 1992: Body Hammer, Tetsuo 2009: The Burette Man, Shinya Tsukamoto formed a unique movie trilogy. Although it can be said that the quality of each slide is deteriorated (the conversation of the third movie seems to be ridiculous), the theme and image make the material influential. TETSUO: In the first shot of Iron Man, metal worshipers were obsessed with being better than humans. Tsunami The photos of athletes are intertwined with metal and pain, strengthening his driving force and become the apex of the human body. But it was wrong, the grasshopper crawled around the wound, and if fear forces him to run it will eventually stop in front of the car. The driver and his wife (who later learned to have sex in his body) felt guilty, but the driver (accountant / banker) eventually "infected" the metal did.

Shakespeare's strengths are: 1) Harmony between quality, behavior and expression of his architectural style. 2) He depends on the theme of ancient people. 3) Accurately construct the behavior. 4) An accurate depiction of a strong concept and subject of his behavior. 5) His strong feelings about his dramatic theme. Attractive accessories (or style tricks) that his young writer should deal with cautiously are 1) sophisticated, fantasy and conception love. 2) He uses that image too much. 3) Even if the behavioral requirement is simple, it is circulated. 4) He lacks simplicity (according to Hallam and Guixot). 5) His suggestion

Arnold praised Shakespeare for having used the past great conspiracy. He has the so-called architectural quality of Goethe. That is, his expression is consistent with the action (or theme). But at the same time Arnold quoted Haarlem as saying that Shakespeare's style is very complex and his style can not be regarded as a model by a young author, even though the behavioral requirements are simple and direct. In other places, he said that Shakespeare's expression is somewhat emotional and simple, and tends to be too intelligent.