Psychology, Art and the Church

Psychology believes that he / she will make a perfect and integrated person by helping him / her make healthy choices, in order for people to live a more healthy life. The church provides individuals with a system of beliefs by planting faith and a number of moral principles respected and respected by him / her and more or less succumb to faith. Art includes intimate joy and communicating the devil, and it may confuse or understand the world while observing his / her personality.

Art Psychology is an interdisciplinary field that studies the perception, recognition, and character of art and its production. For the format of psychotherapy using painting materials, see Art Therapy. Art psychology is related to architectural psychology and environmental psychology. The work of Theodor Lipps, a research psychologist based in Munich, played an important role in the early development of the concept of art psychology early in the 20th century. His most important contribution to this is his attempt to understand the Einfuehlung or "sympathy" problem, which will be an important element of many later art psychology theory.

Art psychology is an interdisciplinary theme that deals with perception, understanding, artistic features, and works. Art psychology is divided into structural psychology and environmental psychology. The former is a creative characteristic of artistic creation or communication with an artistic work. The latter relates to environmental conditions and the interaction between them. Two important scientific and critical sciences in human life have in common the human perceptions and views of the world around them. Lipes' work at the beginning of the 20th century played an important role in extending the concept of art psychology.

Before art becomes a culture it is a ritual and the practice of art rituals is related to institutions, especially the church. After that, the Renaissance masters were tied to wealthy customers. As the avant-garde era of the 20th century comes, the world of art - all institutions and infrastructure that creates, displays, sells and consumes art - has built up defense and rejection of predictable wealth. On the other hand, artists questioned hypothetical progress related to industrial capitalism and pursue formal and political objectives. Meanwhile, the exhibitions and collections of these works rely on the personal and philanthropic wealth of highly industrial artists who are often doubtful.