Prosperity: Nothing but an Image in The Outsiders

When you see a blonde girl standing at the edge of the sidewalk, you are walking along the street, dressing with the latest designer brands, and sending text messages on the latest model iPhone. She slid into the silver Mercedes Mercedes Benz and filled with the wealthiest children in town. When you leave you do not think much, but what you might not notice is that you may have made a simple and unconscious assumption about her. Through some excellent literary works, the author can tear apart the facade that society is woven for people and show the individuality under the jewels, valuable fabrics, or dirty shirts to show off to us He gave me.

Prosperity and colorful living in the 1920s and popular images as pirates and hooligans, rapper and popular jazz, flag pole, and marathon dancer will not disappear to the hearts of Americans. But this image is also very misleading. The 1920s was a decade of serious cultural conflict. In the decades before the civil war, there was a fundamental confrontation in the American society including the geographic area. In the era of gold plating, conflict was focused on race and social class. On the contrary, the conflict of the 1920s was mainly culture, it became more international, modernist urban culture was more rural and opposite to traditional rural culture.

Until recently, Korea caused the Korean War, the North Korean Democratic People's Republic's conflict, and the image of emerging countries, many of whom suffered great losses in Asian financial crisis and the Seoul Olympic Games. Overall, nothing is very positive and attractive. Brand Korea is very elusive for countries other than Korea. With the Korean style explosion, all of these began to change. The boom in Korea gave Korea a great opportunity to showcase diverse cultures, characters, unique entertainment products, exotic places, and its own pan-Asian superstar, creating a very strong Korean brand. Due to the growing popularity of Korean movies and dramas, the focus is on Korean values, society, emotions, and the beautiful places shown in these movies. This will allow Korea to create new ideas and images around the world.

Documentary pictures are often associated with images drawn by Glossy Format magazines such as National Geographic and Times. These images include explanations of expensive investments by remote people at remote locations. But the problem with this image is that it is a serious misrepresentation and it is a myth that we should stop believing. This is a big challenge femLENS deals with very carefully, but that is very important. With self-portrait, tourists blindly photograph hundreds of photos, femLENS allows further normalization of documentary photography by learning how ordinary and inappropriate women's groups take pictures using original tools I will aim for.