Proof by David Auburn

Please find out what you look like. Ghost - the vision of a deceased person. It is regarded as a visible image or blurred image of life. In fact, people may see the ghosts of the deceased or encounter some supernatural phenomena in their lives. While remembering Catherine, David Auburn's "proof" plays "ghost story" in his play to express his identity. Auburn's "proof" is centered around the four protagonists Robert, Catherine, Hal, Claire. Robert is a respected mathematician, father of Catherine, Katherine is 25 years old.

Drama Auburn's drama "Proof" can be an interesting subject of feminist literary criticism. The protagonist of the play is a genius of a female mathematician. At first glance, Auburn seems to support the concept of feminism and equality of women. But the indirect element - a comparison of two strong and weak two sisters - makes the role of women in the play for the patriarchal society more traditional. Strong and independent sisters are negative personality, but the main role of women is weak, and support of men is necessary. This demonstrates that conservative American society can not understand the true feminist figure drama, so the power of stereotypes in modern society is worthy of attention.

"Certificate" is a drama by contemporary American playwright David Auburn. The play was first made in May 2000. Five years later, Auburn modified its screenplay and produced the movie "Proof" starring Gwyneth Paltrow, Anthony Hopkins and Jack Gyllenhaal. Although this research mainly focuses on drama, it also helps some references to movies. The purpose of this study was to provide feminist criticism against the play. Feminist criticism is the reader's reaction critique that reflects the recognition of the correct interpretation of the community. A general view is that literary critics of feminists prefer texts that support the idea of ​​feminists, and women's characters are more concerned than male characters and male images. This view has considerable significance, but it does not meet the general concept of feminist criticism.