Replacing muddog, blackboy, seven syllables Heinrich Bell's "The Maddog" seems to emphasize that it can prevent separation from individual social order and execution of violent desire. As against the background of World War II, this story is precisely the pain of the life of the bar. The other two delicately integrated their personal and cultural backgrounds into their novels by Richard Wright of Black Boy and Hisaye Yamamoto of "Seventeen Syllables". Born in the Japanese American community on the south or west coast, the protagonists of both works experienced similar occupations.
The relationship between mother and daughter is depicted in "17 syllables" written by Yamamoto Hisae and "Always Walker's" everyday use ". In "17 syllables", the main character Rosie was Japanese-born Japanese not so familiar with Japanese culture, her mother, Issei's mother, Mr. Hayashi grew up in Japan and married the United States. Mrs. Hayashi writes Japanese traditional poetry ha and likes to escape from her unrequited reality.
Traditional Japanese high sentences have a strict shape of 17 syllables in all. When translated into English, these verses are usually displayed in 3 lines and follow the same syllable pattern. This structural requirement is part of the high sentence which is distinguished from free verse. Some of the pleasures of writing ha is to shape poetry around this form, which usually follows the "575 years" model. Other combinations of the number of syllables per line may still be equal to or less than 17 syllables. In fact, the more important thing than the number of syllables is that we need to use "breath" to express ha sentences. This is a law that can be realized by various combinations and total syllables. For example, this famous poem was translated from ha sentence poet Bash.