Pre-Raphaelites: Realism Over Reynolds

In September 1848, a group of seven men secretly cooperated and founded "Pre-Raphaeloit Brotherhood" or "P.R.B." (Whitley 6). Included in this group are: Gabriel Charles Dante Rossetti (1828-1882), John Everett Millet (1829-1896), William Holman Hunt (1827-1910), Thomas Woolner (1825-1892 ), William Michael Rossetti (1829-1919), James Collison (1825-1881) and Frederick George Stephens (1828-1907). Although this movement lasted only a few years, these people reconstructed religious, moral, and romantic themes through painting, keeping the art academy away from the stagnation rules of the Royal Academy, to make human emotions and reality It was firmly rooted. . rice

The infinite romantic Raphael frontier loves Shakespeare and most people have many manifestations of his work. But Ophelia of John Everett Millet (1851) is best known. We wore a thick embroidered silk, saw the office wearing beautiful clothes and clasping the fields, and she slowly went down in the stream. Ironically, the sophisticated realism used before Raphael has brought to life this character written in the past 250 years. It is currently held at the Tate in London

The image in front of Raffaello usually includes two main themes: women and nature. Many of the works in this era are inspired by literature on the theme of love and death. A typical example of the former Raphaelo is John Everett Millaises Ophelia. Images before Raphael are often expressed as realistically as possible. The members / brothers of this group are opposed to this very popular genre painting. Type paintings are similar to realistic paintings because they refer to the thematic paintings of everyday life. The difference between type painting and realism is that realism is done in a naturalistic way. The purpose of this artistic age is to truly portray the subject matter without being influenced by any behavior, government or supernatural factors.

The dominant trend in industrial Victorian England began around 1850 and was opposed by British poets and painters who formed the brotherhood in front of Raphael on the ground that they opposed technical skills without inspiration It was. They were influenced by literary works. Art critic John Ruskin (1819-1900) is a rapidly growing British industrial city and has a strong meaning on the artistic role of helping to improve the working-class life of the city. Art critic Clement Greenberg explains the former Raphaelite Brotherhood as the first modernist. A primitive modernist, the former Rafaelo of the German Nazarene actually told Manet (1832-83), and the modernist's painting expressed dissatisfaction with the painting at the time, their reality Was considered. The theory is not sufficiently true. ": 120