Powers of Horror

In her article "Powers of Horror" Julia Kristeva focuses on the concept of "ignoring bounds, positions, rules" in her article "Powers of Horror". In the middle, ambiguity and compound interest are obviously meaning human response to the meaning of loss of difference between object and subject, or between self and others. All the fairy tales collected by William Burroughs' nude lunch boxes and Angela Carter of Bloody Chamber of Commerce flood the despicable concept of casting doubts on their reactions.

In this article, Barbara Creed has rewritten some of the points of Christie's "fear of power". Barbara Creed pointed out that Julia Kristiva provided an analysis of the strange performance of women in "terrorist power" horror films. She defined the collapse of society, separated people from non-people, and first noticed that abortion was subsequently eliminated. She thinks this sneaky behavior can be experienced in various ways, such as food aversion and physical function such as consumption of the body. Horror movies divide how to degenerate into three parts The first part is the image of the body, cutting, body waste, then the concept of the boundary, its intersection is average, strange, human and human inhumane Separation, and finally think of the maternity image as meaning. She tries to make people understand what it is and how it works.

This article starts with defining terms abstention and abstinence. Then, I summarize how Christie 's theory of abandonment works by summarizing the point of "power of terrorist: prose theory". Then I will continue to write this article and find the story of two Angela Carters in the collection of The Bloody Chamber. The story of the title and "The Bride of the Tiger". Tiger's bride, and Kellyflum's The Bone People. By doing so, I would like to reveal and evaluate the effects of the two text formats and types. Furthermore, as a summary of the abstract, I will summarize my objections in sentences.

How the fallen theory of Kristeva relates to fairy tales and colonial novels: Angela Carter's blood chambers of commerce and Christopher's bones

In Lovecraftian horror movies, hybrids are horror themes. Cathy Boeckmann, in her article "Scientific Racism, Personality, and American Novel", uses the most powerful aspects of scientific racial discrimination - physical differences to prove racial inferiority - He explained that it is not discussed most directly. Although the relationship between the physical form and the racial / cultural characteristics has not been decided yet, it is said that the relationship between the outside and the inside is the cornerstone of white supremacy and has been used to discuss African Americans It is widely believed. Absolutely inferior, this equation is uncertain. Signs of mixed blood. In other words, hybridization eliminates physical markers so that racists can easily identify and overlay. As explained in the first chapter of this article, Lovecraft sees the concept of race mixing as erasing or genetic annihilation. This fear is very obvious to his work.