Francis Poulenc, born in Paris, France on January 7, 1899, is a wealthy family. His father, Emil Poulan, is the director of pharmaceutical company Rhone Poulain. None of us have had any money. And Poulenc's composition is not inevitable and is often seen as a hobby. Since Poulenc has never studied at the prestigious Paris Conservatory and other music institutions, it was difficult for him to be accepted by his colleagues at a later time. Poulenc studied Ricardo Vines and piano and collaborated with Charles Koechlin, but although it is a limited study, he is self-taught as a composer.
Francis Poulenc (1899-1963) is a French composer and pianist born in Paris. Poulenc thinks that this double inheritance is the key to his musical individuality. He associates his deep Catholic faith with the roots of his Aveyronais and attributes his artistic heritage to his mother's family. Of course, in his work, two parts of jealousy and religion coexist. (Sadie 2001: 227) In his early work, this style often gives the body an arrogant "pop" song, enriches the quasi-albertica of Troismouvementsperpétuels (1918) and Sosunata of the piano duo (1918) did. ) (Sadie 2001: 228) Poulenc admits that his dependence on past formulas (long pedal notes, arpeggios, repeated codes) is not necessarily daily, and his accustomed to the piano is to this point It may be an obstacle to. His most creative piano work was discovered in accompaniment of his song. (Buckland 1999: 346)
Written by Francis Poulenc and written in 1957 Sonettepourflûteetpiano (Flute Sonata) FP 164. It is dedicated to the memorial of Elizabeth Sprague Coolidge, the guardian of American studio music. Poulenc was made for the flute player Jean-Pierre Rampal, premiered with Rampal at the Strasbourg Music Festival in June 1957. It is now one of the most famous works of Poulenc, a remarkable feature of the flute performance of the 20th century. According to the material, Poulenc has the idea of forming a flute sonata for a long time, and dates back to the letter to Baritone's Pierre Bernac in 1952. Over the next few years, Poulenc plans to resume his work with the letter he gave to his publisher in 1953, 1955 and 1956.
Poulenc 's 1957 Sonata is dedicated to the 20 th century indoor music champion Elizabeth Sprague Coolidge. Chester Lia University (Spring of 1958) launched Sonata's own business and declared to the magazine as follows. "For Francis Planck, media like flutes and pianos express their ideals in an unmatched style" For Poulenc himself, the most powerful spiritual influence is his best friend, Raymonde Linossier. After completing the sonatas, he concluded as follows. "It was the lyrical poet Jean-Pierre-Rampal who performed the piano at the Strasbourg Music Festival held on June 18, 1957 is. Composer