Portrayals of the American West

The depiction in the west usually starts with an empty dirty street, tightly sounding the signboard of a wooden salon which shakes quietly and the big silence collapses, a lonely figure wearing a cowboy hat hits him. On his eyes, put his hand on his handle and slowly walk and see. Another dark, horrible number appeared in the shadow behind the street. A Western classical confrontation scene is about to be reproduced - this behavior is very common and may be deceived in many cases, but still rarely catches the audience.

But what you can miss from this show is its honest depiction of the wild West. The western United States is a unique movie type, but it has not grown and evolved like any other type. John Ford's classic western film sets this type of structure and official for the wild west. Even the tombstone of a movie that succeeded in 1993 represents a whitewashed version of this American history. Until HBO launched its Deadwood TV series, the audience was able to really see the dirty primitive and cruelty of the West in these decades. We see defective people who possess prejudice, fear, physical flaws, sickness and corruption rather than presenting a romantic version of a white-dominated scene with a clean cowboy riding. When watching Western movies like Deadwood and Hell's Wheel, the audience is smelling with dust, fungus, and death, and it hurts the clothes and skin of all the people living there.

Manifesto Destiny is an interesting symbolic depiction of America's great angel and woman "Colombia" floating in the plain. In front of her, in the west is the great darkness where wild animals live. There are bears, wolves, Indians who are escaping her light. Behind her, I came to the farm, village and house behind the city and the railroad. As the character progresses throughout the land, the light of civilization eliminates ignorance and barbaric darkness.