Portrayal of Women in the Movie (Film), Metropolis

Women's images (movies) in the movies, urban women are presented in various ways through prefectures of the movies, but the fundamental theme is that women are regarded as pure sex. Maria is considered a caregiver and sexual in movies. She is a person who preaches peace and harmony in the workers' underground cemetery. Maria is also a foster mother, and steps into the garden with all the poor children. On the other hand, the upper is openly drawn as sexual.

Abstract - This article explains the role of gender in women and movies. This research reveals how specific themes in movies are interpreted and how they affect how people perceive their personality. It also shows how people are superior in sex. Because media influences people's perception of the whole world, it plays an important role in influencing people's daily lives. Mass media is a social entity, the subject of this role, being attacked by a series of criticisms from various parts of society. There are various media such as TV programs, movies, radio, newspapers, advertisements and so on. These forms of media have images of men and women. These images are drawn in various ways, have various characteristics, and have various meanings

Women's images (movies) in the movies, urban women are presented in various ways through prefectures of the movies, but the fundamental theme is that women are regarded as pure sex. Maria is considered a caregiver and sexual in movies. She is a person who preaches peace and harmony in the workers' underground cemetery. Maria is also a foster mother, and steps into the garden with all the poor children. - With the montage in the movie, we did our best when Hunter Night Albert explains the role of Hunter Night as a prototype of Norman Rockwell. It may have occurred in river towns that are not important during the Great Depression. And it was stolen about $ 10,000 with poorly planned bank robbery. However, abandoning the movie is not important, so I did not expect to pay attention to robbery.

Metropolis (1927). Perhaps the most famous German expressionist film, Metropolis is part of science fiction and some social allegory. It depicts a future society where citizens can be divided into two different classes: elite who enjoys leisure life under the sun and workers who work monotonically underground. The plot is focused on two women: a caring Maria who wants to reconcile a worker with the ruling class and a robotic hull programmed to destroy the city. At that time, Metropolis was a very ambitious project. It took about 5 million marks, it took a few months to shoot and hire 300 actors. It turns out that it is not popular with film enthusiasts, but it has received great applause and is considered a pioneer of contemporary science fiction movies.