Porgy and Bess at the New York City Opera

On the first concert report at New York City Opera House, I went to New York City Opera and saw Podge and Beth. I heard from friends and family that this is a good performance, that is the main reason I decided to participate in this special opera. First of all, I would like to say that for a $ 5 ticket, I got some very good seats. I personally think that auditorium is very beautiful. It is a very good size, there is nothing to hinder me from thinking about the stage. I also think that the device is well positioned, it makes you think you are actually in the Catfish Row.

It is for the darkness that Frank Zhang Frau plays a white dancer like Porgy Joe. The most popular play in front of Uncle Tom's hut in New York. That's why DuBose Heyward (Porgy) and George Gershwin (Porgy and Bess), and Miles Davis and Gil Evans (Porgy and Bess) returned to the same attractive theme. Everyone is trying to represent a special kind of darkness, one of the most common forms of American indigenous culture. It is time to recognize its identity and evaluate mixed commands.

In 1926, Gershwin read the South Carolina Guru culture novel "PORGY" of Dolby Hayward and immediately regarded it as a perfect career of "folk opera" using blues and jazz idioms. PORGY and BESS (co-authored by Hayward and Ella) are Gershwin's most ambitious career, combining memorable songs and dramatic events. PORGY and BESS rehearsed in Boston on September 30, 1935 and opened on Broadway on October 10. Opera resurrected in 1942, 1952, 1976, 1983, and made a tour. In 1959 Samuel Goldwyn made a major movie and in 1993 the symbolic Grindbern opera of Trevor Nan was recorded as a TV series.

His most ambitious work is Poggi and Beth, which was first made in 1935, he calls "folk opera" and is currently the most widely considered in the 20th century. One of the important operas in the USA. . "From the beginning, it was considered a composer of Blue Rhapsody as another American classic - even critics could not understand how to evaluate it, whether it is an opera or just ambitious Broadway musical? It crossed barriers, "Each theatrical historian Robert Kimball. "This is not a musical work in and of itself, it is not a drama itself - it has caused a ripple effect from critics of music and drama, but this work was not so out all the time."