Pirandello: A Theatrical Philosopher

Luigi Pirandello's "To find the six roles of the writer" is a unique and passionate drama in which the dynamics of the drama is eradicated, decomposed, questioned about its effectiveness and completeness. In Pirandello's play, I experienced the art of "metamorphism". Pirandello used this technique to explain the drawbacks of the play editor, to stimulate the audience to the philosophical problems of self-development, and acknowledged the persistence of the art. First, when he began to rewrite and change their story to meet the theater 's needs, the characters expressed their frustration with the producer.

Frequently cited predecessors are Luigi Pirandello, especially seeking the author's six roles. Pirandello is a drama experimenter who wishes to beat the fourth wall on the premise of a playwright such as Henrik Ibsen. According to WB Worthen, the plays of Six Characters and other Pirandello have "a meta theater, theater in theater, and a sense of flexibility in the limits of the stage and illusion - to examine a very dramatic identity vision" Use it. One of the most important general precursors is his wild, rebellious and sensual Ubu in the dramatic earthquake in Paris in the 1890s.

Sure Thing shows how innovative drama technology can blend into the mainstream drama. Ivers equally applies his play to modernist experimental dramas and popular comedy - half is Luigi Pirandello, half is Groucho Marx. It may add that Ives speaks the most traditional story using a stylized, fragmented modernistic technique of dramatic distance - a young man and woman encounters and falls in love. (Young romance has become the central theme of comedy since Menander and Plausus) The best new art is usually the same as Sure Thing of Ives by creating a meaningful conversation between ancient and new .

Pirandello is one of the early pioneers of Yuan Theater and Carax 's filmmaking career began at the peak of the avant - garde movement of post - modern art and tried to capture the concept of metadrama from a literal metaphysical point of view. In addition to composing another kind of drama in the story structure, drama leads even if you present a life simulation that transcends drama, transcends drama, contradicting form to the theater stage (18). . In his article about Pirandello and the theater in the theater, Maurizio Grande said: "The former Pirandello theater will perform a large theater: theater in theater, theater in the performance, in the play 'S performances, theatrical dramas and movies during the performance go beyond their media beyond their media, but perhaps everyone is performing for something.