Photography: Its Evolution and Effects on the World

Common languages ​​in the world are usually unthinkable languages, it is a picture. People from all over the world, whether in English or in other languages, can understand it. Whether it is a cave painting, a sketch, a picture or not, people have tried to leave their marks in the world from the beginning. Photographic technology has evolved in a number of ways, including various materials used, methods of developing photographs, camera size and portability, and camera advances in terms of technical and physical properties.

While many photographers were still talking about the transition of photos from analog to digital and both positive and negative, the world of photography technology barely noticed their protests and ongoing research and development. As a result, we discovered ourselves today - in fact, we stayed for a while - in the era of computing pictures. In 2014, the World Press Photo Foundation - Witness Publisher - asked for research on "Image Integrity" to evaluate worldwide contemporary industry standards. The purpose of this report is to create some understanding of the ethics of digital images, especially the problems of post-production work caused by gathering photographic industry attention to the reliability of news and documentary images. Almost four years later, things have changed, understanding the change is what I want and needs to be settled here.

In the first part of this series I wrote a constantly changing field of photography through the development of digital photography and digital platforms. In this article we will synonymize the evolution of the photograph with the chemical state of the substance and how the developmental development represents the past, the present, and the future. This series aims to explain and understand the new developments of photography companies. By doing so, I hope the reader has a more complete understanding of the creative and technical development of imaging.

Digital photographs are physical predators of photographs. Digital photos came quietly in the second half of the 20th century, carefully replaced analog counterparts, and always reaffirmed the same promise. Over the years, digital photographs have maintained their expectations, completely amend their models, adopt their social functions, and have retained Roland Bart's "Noema" (1). Like a replicator in a movie, digital photos do not want to change with photos, and may continue to appear in people who refuse to pay attention to an incredible dialogue like the protagonist of the movie Hmm. In reality, we think that we are not stopping development since we have been faced with the natural evolution of tools, or we are accelerating the development of media technology - the development of photographic technology - There is a tendency.