Perspectives on Hell in Jean Sartre's No Exit

Do you have your own identity without this society? Hell is not a pain or a punishment. Hell is the society in which we live. People around us live in hell or heaven for us. People around us make our lives miserable by judging our actions. The society in which we live loses its identity because we judge our behavior and bring it out to various extent and misunderstand people's perceptions of us. As there was no exit, Paul Jean turned to another person with a bigger idea.

No Exit is the script that best represents Jean-Paul Sartre's existential philosophy. Located in the metaphorical hell of Sartre, the point of his being constitutes a plot with no exit. Each of the three roles "no exit" provides an existential view of the life of a person who is not living in real life or who chose to accept the results of his decision. These characters provide a twisted ironic twisting relationship, showing Jean-Paul Sartre's existentialist view.

Jean - Paul Sutter and William Shakespeare have been separated from thought for centuries, but they examined the meaning of existence and the influence of human behavior on his soul through drama. In Sartre's "No Exit" and Shakespeare's "Hamlet" their character is only suffering from the concept of death and the accompanying mystery. Because they are trying to accept the choice and decision of life. Pursuit of spirituality and meaning of life collides with the protagonist of the two works. Sartre and Shakespeare selected symbolic spiritual ideals through props, especially the bronze ornaments of No Exit's Hell mantelpiece, and the skull of Yorick, the form of Prince Hamlet.

The idea of ​​Hell had a great influence on writers like Jean-Paul Sartre who wrote the idea that "Hell is someone else" in 1944 drama No Exit. Although not a religionist, Sartre is fascinated by his painful interpretation of the state of hell. C. Lewis's "Great Divorce" (1945) borrowed William Black's "Marriage of Heaven and Hell" (1793) and the inspiration from God's comedy. Hell is depicted as an infinite, desolate, dusky town sinking unconsciously in the city's night. The night is actually an apocalypse, it shows that the devil comes after their judgment. Everyone can escape from hell by accepting the offer of Heaven apart from myself before midnight, and a journey to heaven shows that hell is infinitely small. What's wrong