Pepe le Moko

Julian Duvivier's movie "Peppermocho" is a wonderful personal record of French colonial life. The social and political sub-text of this story is an important sub-text, bringing special attraction of Kasuba and characteristics of residents to the forefront. Subtext of this story means desire and obsession for exoticism. Jean Gabin's role is a thief who has been immersed in the maze of Kasbah, escaping the law. According to Edward Said's view on Orientalism, especially in cultural exchanges taking place at colonial affiliated organizations, external factors (as "others") can be W's models.

A criminal running in a shelter in North Africa and the story of Pepe Le Moko shows the beginning of the wave of a French movie. It focuses on the role of tragedy in much the same way that the film noir exercise stimulated American movies after World War II. With the success of the movie in a few years, Julian Duvivier and his star, Jean Gabin, have been promoted to the highest level of cultural importance, and that tone and theme inspires many generations of movies.

Pepe le Moco was not much different from the then successful American movie of the time, and it was actually reworked in the USA a few years later. Fast conversation between Pepe and Gaby, people in Paris grab his heart and will not think it is inappropriate for other North African dramas in a few years Gabin and Mireille Balin were formerly Bogart and Bergman It was. Pepe Le Moko should pay the price of negative stereotypes of French movies in the 1930s. People like Truff and Godard did not recognize the importance of Julian Duviville's work as a film crime. The problematic opening scene is a character project depicting Casuva of Algeria which is the center of the movie and people living here, and it is a summary of the political, social and legal structure of the environment.

In terms of style, Pepe Le Moko helped to define the closest features of the French movie of this era. The prominent use of shadows in interrogation scenes brought the memory of German films into the early 1920s and Duviville effectively admitted enemy's enlightenment (Germany and the United States dominated France and France in the international film It is considered to be the reason for losing a position. The way the scene changed from daytime to night to show the industry after World War I and the past time showed a deep understanding of the format of the movie. The clock is used as well to indicate the passage of time in a completely visual way. Du Weiwei Do not forget the importance of the door in the movie. Maintaining the prison's basic door as a clear literal barrier between nominal and the outside world is misleading and not noticeable.