Peer Pressure in The Perks of Being a Wallflower by Stephen Chbosky

In Stephen Chobowsky's novel 'The Scourge of Murals', the most reliable way to corrupt young people is to respect those who have similar ideas more than those who have different ideas "Charlie, Sam, Patrick's three protagonists showed their companion pressure from different angles. Charlie was exposed to new things to mature and grow him. We began to recognize whether Sam was right or wrong, but she was still being pressured to keep her reputation.

Advantages of Stephen as a Wall Flower Advantages of Stephen as a Mural Picture The advantage of Steven Chobosky as a mural is the little boy named Charlie. As he wrote to those who do not know these articles, this book shows the first year of his struggle. He is talking about his family, making friends, and his fight in life. All the letters he wrote make you feel that you are personally writing to you and that you are experiencing everything he does. This story is fast reading which ends in an unexpected way. Some of the topics in this book are mature, but in general this is a wonderful story.

A mature story like Stephen Chbosky's Perks as wall flowers is also ideal. The main character Charlie's voice is the key to his journey, he creates immediacy and intimacy with the reader through the ups and downs in school This is the center and focus of Chbosky's plot. Charlie is a story. But when you choose the first person stories, everything is limited to your hero's perspective. You need to post story information to your readers. You can not share what the hero does not know yet, but you can also add drama. For example, Arthur Kipps does not know what Eel Marsh House brings to him.

What kind of impression do they have for inattentive observers? Charlie Kelmeckis of the first year high school student was shy and confidently told Stephen Chbosky as Wallflower Perks. ("You see things, you understand, you are a flower on the wall.") But not only I am satisfied with my eyes. Charlie is very kind, but it hides the problem of anger. In this sense, you can destroy the prototype by making flaws to make your character human rather than cliché. In this case, the important romance of the character may be related to Jou Moyes's "I am in front of you", Lou and Will who challenges him to face this truth. (He must be convinced that life is worth living after life.) Or people colluding to avoid such truth. (Lou and Will can do the same.)