Paul Strand

Paul Strand (1890-1976) was born in New York and attended a moral culture school based on the principle of John Dewey. This is a popular option for middle-class Jewish families who want to integrate into the American secular society. (Encarta) In 1907 he joined the photography courses and clubs of Professor Louis Hain, the greatest documentary photographer in the United States, they photographed the living conditions of the slums and moved to Ellis Island. Treatment is applied and photographs are used to promote the appeal of child labor law "Child's job" at street, factory, and mine.

Paul Strand, a photographer of 1968, noted in the letter to Van Deren Coke that people's interest in machines in the early 20th century was "air". Naomi Rosenblum, Paul Strand: The Early Years, 1910 - 32 (unpublished thesis, New York City University, 1978), 65.22 Paul Strand, 'Alfred Stieglitz and a Machine' in America, edited by Alfred Stieglitz . Waldo Frank, Lewis Mumford et al. , 281-85 (New York: The Literary Guild, 1934). This article was printed personally at the Stieglitz exhibition originally held in Anderson Gallery in New York in 1921. This story appeared again later in "Motivation of Art in Photography", British Journal of Photography, 70 (1923): 612-15. If strands were not first, he must have been one of the people who proposed this particular account at the moment in the 1920s and 1930s, at this time, the history of American media began to fuse It was.

In 1907, Paul Strand, a student of Professor Luis Haine, visited the small gallery of Stiglitz's photography department for the first time. Hine's picture is definitely a simple documentary, but then Stieglitz advertised a portrait that fascinated his separatists. Although Strand paid adequate attention, after all, Stiglitz advised young disciples to abandon soft focus technology and explore the urban movements and the urban structure geometry. Stiglitz published a program to Strand in March 1916 and posted some of his pictures on a journal "Camera Works", which has been posted periodically since 1914. After his exhibition, the progress of the strand accelerated and his pictures became surprisingly bold (33.43.334; 49.55.318)

In 1933, still photographer Paul Strand asked Zinnemann to instruct him to ask the Mexican government to make his revolutionary film. For most of the crew members, Mexican, Jineman, Strand, and four other Americans lived in the remote jungle of Vera Cruz for nearly a year. As a result, Redes (The Wave, 1934) is a 60-minute half documentary on the lives of some poor fishermen. The film is operated by local non-experts and is in charge of economic exploitation of members of small villages. The hero was killed after trying to organize his fellow fishermen to fight their common oppressor. When supervising the film, Zinnemann was able to put a lot of lessons learned from Flaherty into practice.