Paul Hindemith

Paul was born on December 16, 1895 in the town of Hanau, Germany. I think that Hindmiss was feeling the direction of music since he was very young; Paul's father is a painter and we did not want to make his son a musician, so our little composer will be 11 years old. I ran away and started my own life. Paul taught himself the violin and viola and started making a living by playing in a cafe or other similar place. After all, since Hindemith learned prototypes of all the important instruments, he can have at least a fun - but he must be his master of Viola and Viola.

For a long time, I think that Paul Hindemith is a German American (like your name), but I am wrong. He is just a German composer, sometimes working in American style in the US, especially his symphony, Carl Maria von Weber's theme symphony. As I arrive late, I will say "What is the style of the American Symphony Orchestra?" Let's pay tribute to our friend Antonín Dvoák who invented the American Symphony Orchestra fifty years ago. When he was a German, why did Hindemith write a United States symphony (some type) in the United States? Easy: Nazi

Paul Hindemith was born in Hesse, Germany in 1885 and grew up in Germany. After finishing studying at the Frankfurt Conservatory, he was appointed conductor of Opera Orchestra (1915-1923). In 1921, he also helped organize the famous Amar - Hendemit quartet, and played Viola in it. In 1927 he became a composer of Musikhochschuk in Berlin (Germany). In 1934, Hitler banned his work in Germany for his "extreme modernism". Almost at the same time, Hendemit was forced to escape from the country he was born after his disclosure.

After that, electronic recording was introduced in 1925, and then experiments were done with the record player. In 1930 Paul Hindemith and Ernst Toch made several pieces that stratified musical instruments and vocals with the speed of adjustment. Under the influence of these technologies, John Cage created a fictitious No. 1 landscape in 1939 by adjusting the speed of the recording tone. At the same time, the composer began to experiment with the newly developed sound film technology. You can stitch recordings together to create sound collages like such as Tristan Tzara, Cart Shwitterters, Filippo Thomaso Marinetti, Walter Ratman and Dziga Vertov. In addition, this technology enables graphical creation and modification of sounds. In addition to the popular Americans Dr. Jekyll and Hyde, these techniques are also used to create soundtracks for several movies in Germany and Russia. Norman McLaren continued his graphic sound experiment from the late 1930's