Parafiction and Climate Change

Wax, hair, bone, stone, ice, lead. These are some materials, assumptions and revisions, beliefs and doubts among the works of art that Carrie Lambert - Beatty discusses in this lecture. This theme pretends to allow audiences to practice the state of various beliefs, with her artistic and experimental terminology.

A way for musicians to practice the scale. Its background is historical to the transition from skepticism alleged by official truth to the inner era of progressive politics, to the era of widespread sarcasticism and creation of allegations that threaten democracy and the earth itself It is a cultural change. Lambert-Beatty explores contemporary art and new intellectual politics using fantasy artists of artists such as Iris Häussler, Dario Robleto, Yes Men and Walid Raad.

Discussion (82) on "the air attached to the imaginary laboratory, the artist wearing the white coat, and the audience passing through their maze" is also an epistemology (science, the generation of facts, and ultimately The "fictional" fictional art is also the emergency of emotion: even if she explained "laboratory air" in this context, it makes me feel cold - that is the climate we are in. Other The interesting point of Massumi's interest in aphasia (deliberately echoed and very different from structural obsession with aphasia), and of course dildo tectonics.

"Roundtable meeting" that mixes news, anthropology and art presents musical "fiction" about food. (Truth experiments of truth through destruction and overturning create possibilities by creating acceptable alternatives for truth, faith, discourse, and ideology). Camille Jeanjean (Paris, 1989) is a freelance writer (French press card). She graduated from the Iscom Institute in Paris, researching new media and journalism. She has lived in Beirut, Lebanon, Brazil for two and a half years and is working on a local magazine. Her interest is to create a new story with digital art, music, light and technology. Exercise and immigration stimulate her, she always goes to a place of change. With this residence, she can try the intersection of art and news.

In the novel, real and / or imaginary characters and stories intersect the world of life. After the simulation, the fictitious strategy is more suitable for the real disappearance than the trusted word theory. In short, these novels are as de facto experience for these degrees of success, different periods, and for various purposes. At one point they realized the state of truth for some people. (54-56) First, use of pseudonymity by pseudonym in the form of "group" (can be considered as a condition of historical novels), secondly, use of documentary as an index mark and pure culture form. (33-4, original focus)