Paint in the Light: Jean-Francois Millet

The farmer who was drawn was wearing a bit old clothes, but his work was noble. His arms and legs seem to be cramping with muscles. In short, this picture shows a lower level of workers, but Xiaomi makes him important and looks like a hero. Revolutionary in the era of Miller was that before the farmers were attracted they were proved to be a lazy fool and was not worth respecting (Strickland, 84). On the contrary, Xiaomi depicted when they thought about this: "The essence of heroes and persistent lifestyle (Herman)". They work hard and have dignity and meaning in this respect.

This article focuses on The Angelus by Jean-Francois Millet. Xiaomi painted this art work in 1951. I chose this picture because Xiaomi is fascinated by farmers' lives. Most of the arts before French realism focused on drawing images and stories of rich aristocrats and Bibles, but now we are drawn on artworks by everyday people and even farmers I will begin to see. Another thing that this special artist fascinated me is that his subject is anonymous. I met a portrait called "portrait of a man" and another portrait called "portrait of a woman". There are no wealthy or royalty members, only ordinary people. Jean Francois Millet was born in a farmer's family near Cherbourg. After having trained from a local painter he visited Paris in 1837 to learn in derarosh. His early works include traditional portraits and a stylish 18th century idyllic landscape.

Similarly, Gleaners (Des glaneuses) is a picture by Jean-François Millet of 1857. This indicates that three farmer's women are collecting small pieces of suspended wheat after harvest. This picture is the lowest level rural community, empathically famous, the upper class of France expressed dissatisfaction. - Christ is not an idol. Workshop environment that people see on Oxford Street. It is not idealized, neither soft nor beautiful. It is contrary to traditional holy families. Taking away idealization will destroy spirituality. The influence of Caravaggio draws a sacred family in contemporary circumstances using the same technique, but it becomes dim. The light here is lit

The emergence of real paintings is a progressive movement of art and literature. Please discard the ideal realist like Jean - François Miller or Gustave Courbet and try to draw the truth. Especially depict the daily social truth of the new industrial era. Realism continues to produce variants in the 20th century. The less well-known contemporary art movement in the mid-19th century is as follows. Innocent arts such as Emil Zola (1880s - 90s), Henri Rousseau (1895-1940), symbolism of expressions by expressionism of 1886-1900, Rena Bis, mysterious Art Deco religious school paintings, tapestries, mosaics, It covers illustrations of fans, ceramic arts and books (1890s); Verismo, Italian Primitive Realism School led by Telemaco cinholini,