Padilha’s Intentional Neutrality in Bus 174

As Kef said, in the hot and troubling summer afternoon of 2000, about 35 million Brazilians saw the live broadcast, this was the "most fierce real TV" bus 174 hijacking. Since then, thousands of cameras have targeted the same person, there were 35 million individual stories. Cause, motivation, result, hijackers, hostages, police interpret different things. Also. The reality is related to the observer.

Mr. Padilha, director of Brazilian "Elite Squad" movie "RoboCop", rebuilt the excitement and rigor of the old television broadcast festival with the political slimness against terrorism in the 1970s. Recent movie nuances Many people are participating, such as "Munich", "Carlos", "Vader Main Hof Complex", and "7 days at Entebbe" from various countries and perspectives, but increased did not. There are too many kinds. The story continues every day from hijacking to rescue. A parallel story develops, each story shows one of them tension and division. In the plane and in the terminal - and in some flashbacks - some extremists expressed their skepticism and debate strategy and ideology

This movie dates back to the birth of the media in the second half of the 19th century, has a long tradition in Brazil, has gained international recognition in recent years. The documentary "Bus 174" (2002), written by José Padilha for bus takeovers, is the highest rated foreign movie by Rotten Tomatoes. Director Anselmo Duarte 's O Pagador de Promessas (1962) has won Parmedoll at the 1962 Cannes Film Festival, which is the only Brazilian film so far. Fernando Meirelles's "God City" (2002) is the most highly-rated Brazilian film in the IMDb 250 list and was chosen as one of the 100 best films made in 2005 by Time magazine It was. Dona Flor and her two husbands (1976), the best-selling movie in Brazilian films, were overseen by Bruno Barreto and basead, produced a novel of the same name by Jorge Amado, watching 12 million people Brought the person to the movie.

Brazilian director Jose Padilha named after the action picture including the Elite Squad series. And the slow lineup of the movie is really its highlight. However, in the play of Gregory Bark, Padilla was using the story structure before and after, so the film felt dissatisfied that he could not get the potential momentum. "Entebbe 7 Days" was actually held by the performance of "Echad Mi Yodea" by Ohad Naharin in a semi-circular chair of Batsheva Dance Troupe. Rhythm Padilha will return to it over and over again, including permanent concurrent editing during Climax Rescue - it will never work. Even if he says that people are rising in the face of oppression and assertiveness, this is not clear.