Outside and In

The scream of the engine gradually became a scream of the neighbor. A mass of metal wall quickly got into a gunshot. In the shade of the weed tree, the old man in the late 1970s tried to remember the event that affected his life. However, because he worked hard so hard to remember, in the fall of October 24, 1950, Korean Jun awakens and leaned to a fragile fragile push-pull and remember only at the moment when the baggage got piled up in the mountain not. Wall next to the door

Loftis is a so-called "outsider": an individual who develops his artistic skills outside formal training and traditional art environments. Outsider art often uses such materials and layered themes in an eclectic way to enjoy such untouched edges. To say that this work represents a broad theme, this is a discreet expression from flower-like flowers with color to jagged scenery. Native Americans have themes such as myths, cake making, dog loyalty, suffering of hurricane Katrina victims in New Orleans, love for flowers, myths in Egypt. Bold

People who become outsiders will change forever for new identity, so outsiders in position will inevitably create tension. Learning sociological themes can motivate the review of personal and cultural experiences, but these same experiences will paradoxically help reveal sociological abnormalities. Outsiders with the third option are protecting outsiders' creative tension by encouraging outsiders and instituting them. This option applies not only to actual outsiders but also to other sociologists. The method proposed by the insider's experience is to learn that intellectuals believe in their personal and cultural biographies as a source of important knowledge.

Learning from outsiders: sociological significance of black feminist ideas * PATRICIA HILL COLLINS, University of Cincinnati