Outline

As long as they do not derail you, the outline is good. I saw it over and over again: the writer who turned the wheel after all for many years was satisfied with the failure summary. The good thing about outlines is that it gives you direction. The downside of the syllabus is that it limits the possibilities of your novel and may lead you to a desperate dilemma. For the first 50 pages, please work at least without outlines. See where the story begins to take you. Do you need a help? Please try clip method. The environment includes time as well as location. Where was your novel born? Ian McEwan's novel novel "The Comfort of Strangers" feels a lot of tension from the environment of Venice. When I started writing 'The Year of Fog', I knew that this book only occurred in one place: San Francisco.

I started off with sometimes scribbled silhouettes on napkins (double sided), at other times a neat, clean, organized and classical outline. I have a solid idea of ​​what the story is, what happened, who is in it, and what kind of interesting subgraphs are rich and support the main thread. Sometimes, I came out to write a story, firmly wearing a strong boots, grasping the outline firmly and holding another cup of coffee firmly. Last night I met a writer, and his work is very wide. He advertised a novel from an 80-page novel and scribbled verses. The problem is that his approach suits him. His publications are popular, I am delighted to write the stories he wants, the pride of what he wrote, and more stories.