Oroonoko, by Aphra Behn

Afra Behn 's novel Oroonoko has a totally different view on slave narratives. Her role embodies various features that are not normally given to those gender and race. The role of Imoinda represents the typical subfamily and psychological features of contemporary feminists and British women of the 18th century. Oroonoko has become a materialization of white characters; in most slavery novels he is a noble, prince, compassionate person, usually not a black man.

At Oroonoko of Aphra Behn, there may be several questions related to Behn 's political view. Slavery and the problems surrounding it will betray people, hurt, and kill each other. The image Aphra Behn wants to keep to the reader is that the two beautiful and sincere people die as a result of the establishment of slavery. Concept of authority and power including women's status and helplessness. In Oroonoko, black-and-white women are weaker than men. Even in Oruokono, oppression is based on race rather than sex, and the position of vanes as women is different from that of colonies. She has more privileges than a slave, but she claims to be white and has authority, but she still can not change the way the event occurs by stopping violence.

At Oroonoko of Aphra Behn, the narrator is also a participant in the story action. But Behn talks with the first person; she and the narrator exist as two separate entities. Oroonoko's narrator is not important, it not only encourages actions of the story, it is also a relationship with Oroonoko, ability to tell stories, and expressions of colonial slave trade. The main role of the narrator is to make audiences and readers think Oroonoko as a person. She did this by associating Oronoko as "European Black", tying Oronoko to the reader and pointing out his moral values ​​and his pain and loss. The narrator did this because, unlike Aphra Behn, she was suffering from the idea of ​​slave trade, or at least the form of slave trade in the form of experience she saw.