Opposites Blance Dubois and Ignatius J. Reilly in "A Streetcar Named Desire"

Blance Dubois and Ignatius J. Reilly are two physically opposed people, but they are socially abandoned child twins. Both of them were living a hypocritical life and their action opposed their so-called beliefs, so praising the virtue of the past social order. They are different, but they all present a social explanation in the same way - it expresses a sense of alienation of the modern society and self. Neither refuse to integrate into the modern world, either imagine it or prefer to impose their own cultural views on the surrounding people.

In a road car described by Blanche Dubois as a tragic victim "Desire Desert Desire Desert Desire", Tennessee Williams is a "pretty" tragic victim as "Blanche Dubois." Williams accomplishes this by using linguistic, theater orientations, and other dramatic techniques to emphasize the spiritual state of Blanche and her dependence on alcohol and men. These factors accumulate and shape her tragic defects. And it is succumbing to desire. She controlled herself and allowed her to express herself as a drama and a tragedy. When Blanche arrived, she was falling, her fate was sealed, and now she could not look back. The drama provides a life version of a romantic slum street, but it reflects the typical character of New Orleans. The surroundings of Elysian Fields are historically different from the rest of the southern part, blacks and whites are mixed, and various race members are playing poker and ball together. ... Read more

Ironically, Tennessee Williams' masterpiece "Desire Streetcar" really started before Blanque DuBois, "Ili Sen Fields", wandering down New Orleans that is declining. To put it more precisely, Williams first lay the foundation for her arrival, which included many contradictions that reflect his enthusiastic craftsmanship. Williams is lined up in the order of the "broken tower" of the heart crane. This represents the quest for "foresighted love company" in the broken world of Klein. Trams create a destructive company of love and reality through a process based on war-type crafts: comedy, drama and tragedy