Opposing Traditional Theatre Norms

Throughout history, drama is essential to the art world. A story of centuries ago says the stories of nobility, morality, courage, and patriotism seem to despise the passage of time and are still being rebuilt. However, not everyone likes this traditional drama. In particular, Antonin Artaud hates theaters and wants to reform the way society experiences. In this article I will study the main contributors to Aalto's contemporary drama and try to remove his erroneous realism and bourgeois neoclassical ideal performance.

In the late 20th century, the great theater historian Oscar Brocket concentrated his research on the history of the drama as a system of drama, or as he said, "autonomous activity". It is an element of "theater" in society. However, this means that society generally recognizes that drama is a unique form of art, inevitably it means that you need to have representative words and methods to refer to that institution . The definition is cyclic: "Drama" is a so-called "drama" in society.

The theater's history represents the development of the theater over the past 2,500 years. Elements of performance exist in every society, but it is customary to recognize the difference between drama as an art form and drama as entertainment and other elements of drama or performance. The history of the theater focuses on the origin and subsequent development of the theater as an autonomous activity. Since the Athens classics of the 6th century BC, the vibrant theater tradition has flourished in cultures all over the world.

Many people think the European drama and its tradition are the center of dramatic focus and morphological change, but the main movements of the Renaissance theater may appear first in Japan in the form of Noh theaters. There are three main forms of Japanese traditional theaters: Noh theater, Bunraku puppet theater company, and Kabukiza. It uses many forms of dance drama. Neng usually has masks, dance and music, two performers, a chorus (6-12), three musicians, a mask, a luxurious costume, several props and a simple stage. The hero of music is called shite, the secondary character or side angle is called Waki. The chorus is obvious many times, its function is almost the same as the chorus of Greece. Some of the elements that classify No are their slow, controlled style, which broadens and spreads the stylized movements of sounds, feet and hands. In order to introduce Neng, the teacher may want students to watch the following video link.