Operatic Modernism

Opera modernism broke the deep modernism of the 20th century, replaced his own human perception, reconstructed. In art, literature, architecture and music, the art revolution happened at an unprecedented speed, deliberately breaking the foundation of Western art, culture, and society in the context of modernism. While spending at the opera house, Saloma of Strauss, Die Drei Grochenoper of Will, and Wozek of Berg challenged deeply the general way of opera tradition.

Opera modernism is truly the two Viennese composer Arnold Schoenberg and his student Al Bamberg composer and Atonar defender opera and subsequent development (by Schönberg) prescription), the Zodiac. Schoenberg's early music dramatic work, Erwartung (first debuted in 1912 in 1912) and DieglücklicheHand, generally used color harmony and discord. Schönberg occasionally uses Sprechstimme. Two operas, Schoenberg's students Alban Berg, Wozzeck (1925), Lulu (incomplete 1935), have many of the same features as above, but Berg is very personalizing his Schoenberg 12 tone technology. Interpretation is combined with a melody paragraph. They have controversial music and plots, but this may partially explain why his opera is still in the standard repertoire.

However, the use of apostolic modernism by opera modernism also caused strong opposition to neoclassical forms. The early leader of the movement was Ferruccio Busoni who wrote the script for his neoclassical digital opera Arlecchino (the first show of 1917) in 1913. Igor Stravinsky of Russia is also one of the pioneers. After creating the music for Ballet "Ballet" (1911) and "Spring Ceremony" (1913) for Diaghilev, Stravinsky turned his attention to neoclassicalism which ultimately led to his opera speech. Edips Rex (1927). Stravinsky removes the modernistic tendency of the early ballet and produced small works that are not fully compliant with the opera, but it certainly contains many opera elements including Leonard. And the soldiers' story (1918: "reading, playing, dancing". In both cases, the description and description is a composer's work)

Zeitoper, the theme opera of the Weimar Republic (1919 - 33333), is known for its most modern props. Jazz and pop idioms will appear in the opera score, radio, gramophones, phones and other recent innovations will appear on the stage. The film played an important role, especially in Zeitoper, as composers wanted to regain the audience they lost in the movie. Films are screened in opera, quiet film music is placed in opera, pantomime technology is incorporated into opera, and montage technology affects drama structure of opera music and opera. 19 ° - °°° BélaBalá ¡° Zs, a film critic, a screenwriter, and one of the best "satire" ideas of the time, also writes Zeitoper about the production of silent films. Because the transceiver has replaced silent movies