31.03.2005 Since loneliness in 100 years is sometimes overrealized, it is natural that it will become a reality. Within a century of solitude, Garcia Marquez combines extraordinary events with everyday life. Magical realism in Max's novel changes extraordinary things to reality by using religion, myth and belief system. These themes made this novel wonderful, but this story represents people's reaction to industrialism and modernization of Latin America before the civil war.
An analysis of the historical roots of families of Macondo and Buendia centuries ago of Gabriel Garcia. Loneliness of a hundred years is about the mythical imagination town known as Macondo. Their founding, development, development, and death go through the founder's history, and the family of the Buenians is explained. This is the evolution and ultimate decline of a small town in Latin America and its inhabitants. Columbia style style occupies most of this novel. On the other hand, the Buentia family is a Colombian family and can make sad memories and wonderful experiences. As Gabriel Garcia Max performed in "One hundred years of loneliness", most people dance around these moments according to the situation. The discovery of storytelling is a wonderful experience - many readers of his books will be proud to take part in it.
Garcia Marquez, a lonely historical theme for centuries ago by Garcia Marquez, once said "loneliness in 100 years is not a Latin American history, a metaphor for Latin America" (Dreifus 1983: 1974). Historical themes include conquest and colonization, settlement and scientific discoveries, civil wars, external economic interventions, changes in technology and finally declining and disappearing of established lifestyles. Was the original Spanish conquest a centuries-old narrator that was a narrator before the century? He or she knows more about the whole history of Buentia than anyone knows. However, the narrator is not entirely aware. For example, the opening sentence (above) and the insight into Pilar's "axis" are two of the few places that the narrator claims to be able to read that person's mind. Generally speaking, we understand people through close observation.