Once Upon a Times: Art of the Himalayan Region

Art is mainly used to express Himalayan tradition. The use of painting is important to reflect a large number of stories, as can be seen in the literary work "Once Again". Art works, in particular paintings, can also be used to analyze and comprehensively describe the lifestyles of people in different eras of history, such as social organization, economic life, religious perspectives and customs. Therefore, in this analytical research paper, compare the shantarakshita's artwork and his living situation in Tibet, looking at the color, shape, shape, culture and history of the elephant from the Rubin Museum of Art and the textile of Droisa Sanmo will do. Photo

About the Rubin Museum The Rubin Museum of Art has the most important Himalayan art collection in the world. Paintings, textured fabrics and sculptures are all derived from the touched mountain culture, from the northwest of Afghanistan to Myanmar in the south east including Tibet, Nepal, Mongolia and Bhutan. The larger Himalayas culture is determined by thousands of important cultural exchanges including Iran, India, China, Central Asia, Southeast Asia. The museum explores these rich cultural heritages from all angles and is primarily unfamiliar with Western audiences and offers several entrances to understand and appreciate the art of Himalayas. Admission to Rubin is 10 dollars for adult, 5 dollars for senior citizens, 5 dollars for student card (with ID card), free on Monday the first day of every month, free for children under 12 years old, museum members are free. Free gallery from 6 pm to 10 pm Friday

Art is mainly used to express Himalayan tradition. In some occasions, the exhibition at the Rubin Museum of Art represents a variety of visual stories and replicas of temples mural paintings that can be thought of as a special example of Himalayan art based on Tibetan myths and legends. - Environmental art is an artistic style made in the late 1960s, made by what is found in the natural world. Several environmental arts are big enough to be thought of as a memorial. This art can not move without destroying it, climate and weather can change it.

The environmental degradation of Himalaya in Nepal has reached an unprecedented level. Due to population growth, people in Himalayas are forced to develop forest resources to meet basic forest needs such as timber, timber, and feed. Due to unsustainable harvesting practices in Himalayas, vegetation in the subalpine and alpine areas is degradable (Echolm 1975). According to the forest inventory of Nepal, the forest area has decreased by 7% per year since 1978 and coverage of woody vegetation (forest and shrub) has decreased by an average of 0.5% per year (FAO, 1999). These activities ultimately encourage degradation of wildlife habitats to help reduce elk populations. In addition, because of socio-economic and political circumstances, the elk population does not have a safe shelter, even in remote areas, tribal members hunt for living by poaching Jackson 1979).