Notes on Auteurism

About Auteur's note Auteur's traditional model can be regarded as a director of "to translate into an original work" using a screenplay. This may seem like a rather obscure definition, but the only thing you need to state clearly is that it is a work that is fully compliant with the definition. This is the case of Robert Altman's Popeye. Altman chose the agency, the institution of Popeye, a classic American idol, and wrote it as a subject matched to his tradition.

Andrew Sarris created the word "auteur theory" to translate politician translators and was admired for being advertised in the media of the United States and Britain. I published a paper on 'Theory of Supervision' in 1962 movie culture magazine. He began applying his method to Hollywood movies and spread his thoughts in his book "American Film: Director and Direction" 1929-1968 (1968). The influence of Saris's work is that the main attention and general attention of each movie do not give much attention to the star and attract more attention to the whole product.

In his article "Notes on Director Theory" of Andrew Saris in 1962 (who interpreted various articles on the so-called Cahill's "Natural Director"), that director is the director of a technically trained personal style And the appearance of the explanation movie is clear and it creates "unique meaning" from the tension between the personality of the director and his material. Sarris admitted that the last remark was ambiguous. Susan Hayward clarified the meaning of the director in her book "Film Research: Key Concepts" (1996) by defining the internal meaning as the director's scene and personality. In addition, he explained about the director's general author who wrote the script (p.33). There are many discussions about what Auteur is, but based on the interpretation of the term Auteur by Sarris and Hayward, we will discuss a little.