Nosferatu directed by F.W. Murnau

Today's horror movies use several film technologies to evoke reactions from the audience. However, without a screenplay, the early silent film relied more on these techniques, as the spectators needed different ways to explain the movie. The 1922 silent film North Ferrato supervised by F. W. Murnau applied most of the latest film technology first. Montage plays an important role in this movie from an unusual point of view such as photography, performance, early special effects, framing.

Unlike the depiction of Copolla, Dracula of Nosferatu directed by F. W. Murnau and Dracula supervised by Tod Browning are of the same age throughout the film. In Nosferatu, the actor Max Schrek depicts the evil Count Orlock. We saw the grandfather when we saw the count. His head is deforming, he is bald. He sharpened his hand with his fingers, full of sharp teeth and long nails. He was wearing dark colored clothes and stressed his pale white body. Mulno did this to frighten the masses, and they probably never saw Dracula in their lives. He wants to portray Dracula's portrait as an evil portrait as memorized in the guardian's dream of the movie.

In order to lead Nosferatu, Prana-Film took a filmmaker FW Murnau, known for its expressionist style. Beside him there is movie producer and designer Grau. In this regard, Grau designed everything from suit to clothing, Orlok cosmetics. Throughout the process, his guide light is the classic horror story of Golem, Gustav Maylink. The story was originally published as a series in 1914 and was released in the form of a novel the following year. The second edition of the book contains 18 illustrations created by Hugo Steiner-Prag. Grau insists that these black-and-white atmospheric imagers have had a major impact on Nosferatu's concept art and the storyboard. According to several reports, this golem sketch directly stimulated the Count of Orlok himself.